Studio Notes
Category
Year
122 entries across 3 years
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Last Bill Edition Got Spent
For three weeks, much of my time has revolved around a transaction I cannot take back. On July 21st, a fee bump I pressed in the wrong wallet fed the final Digital EUR bill of “Do Not Accumulate” to a miner as part of a 758-satoshi fee. The full account is on the blog. This…
Power Sculpting
I am working on a new sculpture, one that will bring together several elements, including power plugs. So I spent a couple of hours sculpting a power plug from scratch. Below is a behind-the-scenes peek: three screenshots from the process, each a stage further along. There is something quietly fitting in the exercise. A power…
10
Digital EUR Featured by 100 Collectors
I am honoured to share that Digital EUR, the first currency in my Do Not Accumulate series, has been featured by curator Eleonora Brizi for 100 Collectors, the global membership network for digital art collectors, as part of their 5 Things to Know series. Eleonora has accompanied this movement as a curator since its earliest days, and it shows in the reading. She…
2
Scanning Skies for Clouds
I am returning to a small project I set aside last year: a script that scans the sky for clouds and traces their contours. The work is far from finished, and the difficulties are instructive. Dark clouds and clouds sitting in shadow absorb so much of the blue spectrum that they become hard to separate…
10
Introducing Do Not Accumulate
A currency programmed not to last. Do Not Accumulate imagines a near future in which cash is gone and the Digital Euro is programmable: 21 editions inscribed on Bitcoin, each losing one unit of value every month across a 21-month cycle. The EU flag becomes an eye watching every transaction. The clouds dissipate like the…
4
A visit to Danae Gallery in Paris
During my recent stay in Paris, I finally had the chance to visit Danae in person and to spend some time with the team behind the gallery. It is one thing to send work across the ocean; it is another to stand in the room where it hangs. The occasion was Inner Voice, the group…
VIDEO
New Work: Radial Translation
For a while now, I have been feeding clouds into code. Videos and photographs of the sky, broken down and rebuilt in Python from sets of marks I make by hand: painted, stamped, drawn, then digitized. The results have always settled into a grid, one mark to a cell, orderly and rectangular. Radial Translation is…
New Hatching Patterns
Another approach to dividing the skies with geometry. This time, the hatching itself is holding up reasonably well; the patterns read cleanly, and the logic feels closer to right, but the overall composition still needs refinement before it settles. Une autre approche pour découper les ciels à l’aide de la géométrie. Cette fois, le hachurage…
VIDEO
Translating Radial Patterns
After experimenting with radial placements, I started connecting the script to my digital stamping script and existing tile sets, letting the two systems feed one another. The results are early and imperfect. The moving cloud patterns are still hard to read, and much of the structure remains buried beneath the motion. However, even in this…
Newly Hatched Cloudscapes
I have returned to tweaking my composed hatching scripts, the ones that alternate between different hatching styles based on the colour depth of each region. Every shift in tone calls up a different pattern, and watching the sky resolve into those layered marks feels like the logic of how clouds actually behave. Notably, what I…
2
Generative Radial Iterations
I have been looking into taking my stamping patterns somewhere more complex, moving from the grid into the radial, and seeing what happens when the same logic is bent around a centre point. To get there, I started exploring them generatively, a way to test many configurations quickly before committing to any one. The goal,…
4
NFC Summit Lisbon
NFC Summit Lisbon has wrapped up, my third year taking part, and the summit has quietly become one of my favourite annual events. Over the years, it has grown into a real meeting point for artists, and what keeps drawing me back is the environment itself: welcoming, generous, and open to emerging artists and first-time…
Three Sculptures at Inner Voice
These three new sculptures have joined Inner Voice at Danae Gallery in Paris: Cloud of the Past, Cloud of the Present, and Cloud of the Future were created by re-engaging with my triptych Known, Uncertain, Unknown: My Past, Present, and Future. Each sculpture is printed via SLA in hardened, UV-protected clear resin, measuring 240 x…
2
New Cloud of the Present
For Inner Voice at Danae Gallery, Paris, I am re-engaging with my 2024 triptych Known, Uncertain, Unknown: My Past, Present, and Future, originally created for the {R(Evolutionaries);generations} group exhibition at Art Dubai 2024 with Morrow Collective. The triptych is a visual reflection on the past years of crypto art practice, drawing on transtemporal theory, in…
Inner Voice Group Exhibition
I am pleased to share that I will be part of Inner Voice, a group exhibition opening on Wednesday, May 28, at Danae Gallery in Paris, through July 31, 2026. For the show, I will present Known, Uncertain, Unknown: My Past, Present, and Future, a triptych drawing on transtemporal theory, in which past, present, and future do not exclude…
4
Recap Bitcoin 2026 Las Vegas
Bitcoin 2026 Las Vegas has wrapped up, and it was once again a conference worth the trip. I was pleased to showcase Do Not Accumulate, a new Ordinal project exploring the design, implications, and quiet coercions of Central Bank Digital Currencies. The work generated exactly the kind of dialogue I had hoped for, specific, informed,…
6
Visualizing a Century of Inflation
Thrilled to have presented PAC: A Century of Charted Devaluation at the Bitcoin Las Vegas 2026 conference. P(lotting) A(against) C(entralization) is a generative visualization of 100 years of monetary erosion. Loosely abstracting the design of the 1 Dollar bill, the work features 100 rectangles, one per year. Angled lines within each rectangle represent that year’s…
6th Annual Bitcoin Conference
6 years in a row! I am thrilled to be heading back to the Annual Bitcoin Conference in Las Vegas! Come find me at the BMAG Bitcoin Museum and Art Gallery and say hi. See you there! 6 ans de suite ! C’est avec grand plaisir que je retourne à la conférence annuelle Bitcoin à…
3
Iterating Linear Skies
I am teaching a new script to read the sky. New experiments in translating clouds into geometry are mostly based on contrast, colour-mapping, and hatching. Still rough, still learning. More to come. J’apprends un nouveau script pour lire le ciel. De nouvelles expériences pour traduire les nuages en géométrie, principalement fondées sur le contraste, la…
Tracing Cloud Contours
I’ve been diving into a new script that traces the horizon to identify and isolate clouds, using that data to explore the negative space around them with generative patterns. It’s a fun mix of atmospheric logic and digital abstraction. Here’s a first look at some of the early outputs from the collage. It’s still a…
Cloud Fragments Recomposed
Here is a small preview from a generative script that recomposes my cloud images. The process breaks the photograph into pieces and reassembles them through algorithmic steps, much like how an encryption algorithm transforms data into a different form. Voici un aperçu d’un script génératif qui recompose mes images de nuages. Le processus découpe la…
VIDEO
Video Exhibition at Dig Shibuya
Footage from Dig Shibuya in Japan, where my generative animation PAC AN3Y Shape Variant was presented as part of the Neort.io open call. Séquences filmées au Dig Shibuya au Japon, où mon animation générative PAC AN3Y Shape Variant a été présentée dans le cadre de l’appel ouvert de Neort.io.
Screens Contextualized at DIG Shibuya
Excited to share that one of my artworks was selected for DIG SHIBUYA 2026 / MIYASHITA PARK as part of NEORT’s SCREENS CONTEXTUALIZED showcase. The sky-themed open call rethinks city signage as a stage for culture, and I’m excited to be included. I believe this is the first time my work will be shown in…
5
Tropical Storm Clouds
With the heat easing below 30°C again this week, I’ve been looking back at last summer’s trips and those tropical storm clouds. Cloud formations like these definitely make you forget what they bring with them. Avec la chaleur qui redescend sous 30 °C cette semaine, je me suis replongé dans les voyages de l’été dernier…
Vector Tiling Experiments
I’m currently upgrading my tiling tools to work better with vector forms for future pen plotter projects. It’s fascinating how vectors make it possible to harmonize scale and spacing, and how a few small parameters can shift placements just enough to change the whole composition. I already like where this is going. Je suis en…
Cloud Pattern Collage
I wrapped up a new collage today, built from multiple generative studies layered, re-cut, and re-aligned until the seams began to disappear. I’ve been testing how patterns can function like material, while negative space becomes structure: it separates, but it also connects, letting the eye complete what isn’t there. Aujourd’hui, j’ai terminé un nouveau collage,…
Sketching Clouds with Fountain Pens
After a few hours spent experimenting with an LED matrix, I reached for my fountain pen. Sketching clouds is a small mental reset. Ink and paper offer a slow, fluid space where thoughts can drift before returning to light, pixels, and Python. Après quelques heures passées à expérimenter avec une matrice LED, j’ai repris mon…
Geometric 3D Cloud Collage
I just finished another collage built from by-products of the past few years. It feels like 2026 will shift my focus further toward generative work involving electronics and 3D. Some of these projects are already taking shape. Je viens de terminer un autre collage, construit à partir de sous-produits des dernières années. J’ai l’impression que…
Geometric Cloud Collage
I keep revisiting collage to explore new unions between different experiments and styles. This piece brings together generative data visualization techniques for pen plotting and tiled compositions, based on my Python-processed cloud imagery. Je reviens sans cesse au collage pour explorer de nouvelles combinaisons entre différentes expérimentations et différents styles. Cette pièce réunit des techniques…
Cloudy Textile Textures
I’m currently working on new projects for the pen plotter and keep returning to patterns that evoke the feeling of fabrics. At this point, I feel I’ll eventually have to turn some of them into an actual carpet or a set of towels. Je travaille actuellement sur de nouveaux projets pour le traceur à stylo…
VIDEO
Algorithmic Refraction
Building on the photo collage I made a few weeks ago, I experimented with recreating the concept generatively for video. Here are two early tests. The approach strongly depends on the contrast of the footage. I’ll keep working on it and see where it goes.
Cloud Archiving and Mixing
Every project leaves behind a trail of files: experiments, tests, and by-products. I try to archive them carefully, but I also enjoy mixing them back together when the moment feels right. This collage combines pixelated algorithmic backgrounds, 3D-sculpted forms, and plotter paths into a single composition. Revisiting and repurposing these materials has become part of…
Kicking Off Flight Season 2026
I hope you’ve had a good start to the year. There’s a noticeable wind of change in the air, and it’s been a refreshing source of energy. It feels like the right moment to begin the 2026 flight season. What are you most looking forward to in 2026? J’espère que ton année a bien commencé.…
On Square Pegs and Round Holes
The holiday season and the end of the year are always good moments to pause and reflect, allowing patterns to surface across longer timelines. Over the past months, I’ve been thinking and writing extensively about contextualizing crypto art, with a particular focus on the role of art-world misfits in its early years, those who operated…
Throwback to my Cumulonimbus Murus installation
Cumulonimbus Murus, commonly known as a wall cloud, is a meteorological phenomenon that indicates a strong updraft and powerful thunderstorm from which tornadoes can form. The wall cloud represents the fast-growing crypto art movement and is the title of my 45 sq. m (485 sq. ft) in situ installation, which I created for the DYOR…
Happy New Year 2026
Wishing you a fantastic, healthy new year: Full of life, laughter, and spectacular cloud formations. 2026 has a lot of big news coming up, and I can’t wait to share it with you first. If you’re not yet subscribed to my newsletter, that’s where it will appear before anywhere else. I only send 3–4 emails…
Clouds over the Bahamas
As the year winds down, I return to the clouds and itineraries that stayed with me. I’ve never visited the Bahamas, yet I’ve crossed their airspace several times and photographed cloud structures like this one. This work is an experiment in expanding those formations in a generative way. À l’approche de la fin de l’année,…
Morning Cloud(s)
Nine years into working with clouds, and the pattern recognition is getting out of hand. Even my bread has joined the project. Neuf ans à travailler avec des nuages et la reconnaissance des formes commencent à déraper. Même mon pain s’est mis au projet.
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Technological Support Grant
I’m grateful to be among the artists and collectives selected for the Technological Support Grant by Eastern Bloc and Scènes Interactives Technologiques (SIT). The grant supports experimentation with creative technology and teleperformance, providing access to Isadora 4 and IzzyCast, digital tools for exploring remote stage control, live broadcasting, and the transmission of video, audio, and…
VIDEO
Transaction Block Iterations
A small behind-the-scenes glimpse into one element of my upcoming animated work. This sequence visualizes a Bitcoin transaction block coming together. I’ve long imagined these blocks as two clouds (one of senders, one of receivers) merging through their connections. The video highlights a few iterations that led to the final aesthetic and concept featured in…
3
Touching Grass
Touching grass in the Black Forest. I timed it perfectly because I left Montreal on the first snow day of the year. No better place to think than the woods where I grew up. Toucher terre dans la Forêt-Noire. Timing parfait : j’ai quitté Montréal le jour de la première neige de l’année. Il n’y…
Speaking at UCAM’s Art History Faculty
I am looking forward to my next academic speaking engagement at UQAM (Université du Québec à Montréal). I’ll be speaking in Prof. Caroline Nepton Hotte’s Arts médiatiques et numériques (HAR4590) course about Crypto Art as a Paradigm Shift: From Bitcoin’s Architecture to a New Ecology of Art. Among others, we will discuss how technology, economy, and…
A Desert Note
New Noctilucent Memento
Two Years of Noctilucent Mementi
From Marfa with Love
Back from Collecting Clouds
First Cryptocurrency Acquisition
New Digital Cloud Collage CW37
New Piece of the AI Series Two
Cloud Surveillance
From My Sketchbook
Making Of Video PAC AW8Y Grey
New Digital Cloud Collage CW35
Active Bitcoin Node Visualization
Visualization of Active Crypto Wallets
4
Texas-bound Aerial Clouds
A few weeks ago, I flew to Texas through some truly breathtaking cloudscapes. It also happened to be my 50th flight this year. Flying through storms isn’t for everyone, but I might be one of the few who genuinely enjoy it, because that’s when the clouds are at their most spectacular.
New Piece of the AI Series Two
Making-Of Video PAC VV4Y Black
Geometric Pattern Collage
I just got back from Texas with dozens of photos and videos. The clouds heading into Dallas rarely disappoint. With all this new footage, I’ve started experimenting with simple geometric patterns and shapes. Collaging clouds has become one of my favourite ways to slow down and play with the material. Update September 8th, 2025:Minted as…
Throwback WOW Gala Lisbon
Bitcoin Volume and Value Visualization
New Geometric Cloud Collage
New Series Two AI Study
Making-Of Video PAC AN6Y Monochrome
Active Bitcoin Node Visualization
New Cloud Collage
Upcoming Keynote at NFC Summit 2025
Plotting Against Decentralization at BTC2025
Live Plotting at Bitcoin 2025
“From Grass Root to Tie Loot” Collected
New Limited Edition Print
Panel: Collecting Blockchain Art and NFTs
Upcoming Panel Discussion in Montreal
Plotting Lines like Fabric
Beyond the Hype Panel
Throwback RURart Residency
Generative Cloud Collage
Pen Plotting Lines
Series Two AI Studies
Sunset Flight from Toronto
Transaction Block Study
Cloud Collage Video
KMAC Museum Visit
Weaving Into Things
Pen Plotting with Fountain Pens
Return of Old Patterns
Generative Collaging Continued
New Pen Plotter Study
I recently completed another study. After some initial experiments, I’m thrilled to finally incorporate one of my favourites: fountain pens. This study also explores layering different vector designs and inks. It’s going to be exciting to see how the next iterations evolve!
3
New Blockchain Art Paper
Understanding the History of Blockchain Art as Incremental Innovation: For its 139th edition, the Canadian art journal Espace Art Actuel focused on blockchain for the winter issue. I was delighted to contribute an abbreviated crypto art history, proposing a staircase model approach to better understand its evolution rather than focusing solely on isolated events or artworks.…
VIDEO
New Making-Of Video
Here is a small making-of video of my first pen plotter project. While it’s designed to run unsupervised for hours, the process is so mesmerizing that I couldn’t help but keep watching and recording. For this initial project, I used Uni-ball pens and mixed media paper.
First Cloud Pen Plotter Study
After some trial and error and getting familiar with the machine, I’m excited to share my first completed cloud plot! There’s still a long journey ahead, fine-tuning pens, papers, and settings to find the perfect compatibility, but the process is already so rewarding. Next, I’ll post a short video of the pen plotter in action;…
Nephology Studies
Last year, I explored some of my cloud photography and created a small series of Nephology pieces. For those not entirely lost in the clouds, nephology is the study or contemplation of clouds. Many of these studies were offered for free on ZeroOne, where users could mint them as NFTs at no cost. This particular…
VIDEO
A Prosperous New Year 2025
Happy New Year! Wishing you all a healthy, prosperous, and inspiring year! To celebrate, my latest generative timelapse draws on iconic blue bills of world currencies. A visual reflection of growth and possibility as we step into the new year.
2024 Year-End Thoughts
As the year comes to a close, I’m wrapping up 2024 with a spectacular 103rd flight of the year today. The hundreds of photos and videos captured during these journeys will serve as “raw material” for a new series launching next year. Stay tuned!
Sketching New Tiles
As the year draws to a close, I’ve been creating new tile sets and reflecting on the past twelve months. It’s been a year full of events and growth. Stay tuned for an upcoming blog post and newsletter!
Algorithmic Collaging
After a few hectic weeks and the recently concluded Miami Digital Art Fair, the pace has finally started to slow down as the year comes to a close. This pause offers the perfect opportunity to dive back into my algorithmic collaging and continue exploring.
Digital Art Fair Miami Announcement
I’m thrilled to announce that my Cloud Wallet series will be exhibited in partnership with @LaCollection.io and @objktcom at the Digital Art Fair (@miamidigitalartfair) in Miami Beach, FL, on December 3rd, from 12 pm to 12 am. Curated by Marlene Corbun, the exhibition will feature all three pieces from the Cloud Wallet series, along with my latest artwork, From…
Cloud Animation Preview
Here’s a small detail from a piece I’m currently finishing for the Digital Art Fair in Miami, happening in two weeks. This work will also be featured alongside a paper I wrote for a Canadian art journal. I’ll share more details soon, stay tuned!
VIDEO
Night Clouds over Toronto
Last week, I flew from Toronto (YYZ) back to Montreal (YUL). I usually avoid flying at night since the low light and window reflections make it challenging to capture good photos and videos of clouds. However, every now and then, city lights create stunning views of low-hanging clouds, just like these.
Generative Collaging Continued
How experimental is your creative coding process? I often find that manually going through certain steps helps me better understand the effects I want to achieve through code. This might involve experimenting with mockups, identifying which digital manipulations get closer to the desired results, and then iterating from there.
Collectors Call Podcast
A few weeks ago, I had the chance to chat with Scooter on the Collector’s Call podcast about the past and future of crypto art, as well as some of my recent and upcoming projects. You can find the YouTube video and Spotify link in the blog post! Collectors Call podcast with Martin Lukas Ostachowski
Generative Collaging
Returning to collage-making, but with a new approach: I’m currently exploring the use of code to create seed-based collages from images. My goal is to fragment and reposition parts of an image in a way that allows me to reconstruct the collage later and potentially apply the process to videos. Early tests have been quite…
VIDEO
Joshua Tree National Park
This week, I had the opportunity to spend time in the Coachella Valley and visit Joshua Tree National Park—a place I’ve always wanted to explore. The park is fascinating, transitioning from the Colorado Desert to the Mojave Desert, each with its own unique flora and fauna. I hiked to Mastodon Peak and visited the Cholla…
VIDEO
Generative Word Clouds
Having primarily worked with physical tiles based on painted elements, drawings, and stamp marks, this animation takes a different approach by translating word densities into shades to form cloudscapes. For this study, I used the word ‘Cloud,’ but I already have a few ideas for how I can expand on this script in future iterations.
Parameterizing Font Clouds
One often-overlooked aspect of generative art is parameterizing the algorithm to gain control over the final output. While I’m unsure how others approach this, I spend considerable time fine-tuning parameters to “weatherproof” the algorithm within a specific range of desired outcomes. In this example, I experimented with a script font, adjusting opacity levels, font sizes,…
Studio View Cloud Collage
Since moving to the new studio, I’ve taken photos and videos daily. After experimenting with sketches last week, I’ve found myself enjoying digital collaging again. Here’s a collage of some recent views from the studio.
Connecting Cloud Collage
Variety is the spice of life! To clear my head, I’ve been experimenting with recent generative outputs, connecting clouds and revisiting collage work; it’s been a while! You can peek into my attempts to distract myself and return to long-term projects with a refreshed mind in my visual studio notes. How do you break up…
VIDEO
Connecting Clouds
Wait for it… Watching these clouds connect is endlessly captivating. After countless trials and errors, I’m back on track and moving in the right direction with each new iteration. Let’s see where we’ll be a few weeks from now!
VIDEO
Texan Aerial Sunset
Earlier this month, on my flight back from Texas, I captured one of the most beautiful sunsets I’ve ever seen from a window seat. It was a moment I won’t soon forget. I hope you enjoy this view as much as I did.
VIDEO
Cloud Carpets
Thick, carpet-like cloud layers have fascinated me for some time. I’ve been capturing videos of various cloud formations to study their texture and depth for a potential project. Recently, I began adding continuous sketches alongside the cloud footage. I look forward to taking this concept further by introducing 3D-rendered models down the road.
Panel Discussion at the Ottawa Art Gallery
Throwback to last month’s memorable NFT Passages Opening and Panel Discussion at the Ottawa Art Gallery, presented in collaboration with BRAVO (Bureau des regroupements des artistes visuels de l’Ontario). I was thrilled to join Benoit Couty from the Museum of Cryptoart for an insightful panel moderated by cultural facilitator Cătălin Ivan. Congratulations to all the…
More Digital Sculpting
My ongoing journey to create simple, recognizable low-poly cloud models evolves. This time, I added colour stripes to emphasize their three-dimensional surfaces. Though these shapes could also resemble rocks, their low-poly structure opens the door for future video projections. While more detailed, fluffy clouds might be easier to identify, they limit how I can use…
VIDEO
New Generative Cloud Animation
I recently shared how I’ve been tweaking my tile set to add highlights and depth. Now, it’s time to validate the concept in real-world conditions by testing it against some time lapses. I was pleasantly surprised by the retro atmosphere it created. It’s time to push this concept further and iterate on it!
Celebrating Noctilucent Mementi
Today marks the first anniversary of the Noctilucent Mementi series! It’s a special moment to reflect on this meaningful journey. If you’re a holder, don’t miss the blog post below, there’s a surprise waiting for long-term collectors. Noctilucent Mementi spans my first five years (2018–2023) of cloud art, blending milestones, travels, and the interplay of…
New Generative Study
This weekend, I dedicated some time to refining my generative scripts. In this concept, I experimented with basic geometric shapes and how they can merge to form cloud-like structures. From left to right, you can observe the progression: I began with darker colour ranges, added highlights, and finally incorporated mid-tones to enhance the volume and…
3D Modelling Studies
I am currently modelling clouds in various shapes for an upcoming book project. While it’s relatively easy to achieve an appealing cloud form from one angle, ensuring the cloud appears natural from all perspectives, especially from the top and bottom, presents a significant challenge. The cloud model shown above has been rotated by 90 degrees…
VIDEO
Cloud Timelapse from the Art Studio
I’ve been absolutely captivated by the sky ever since moving into my new studio. Watching the clouds drift by has become a daily ritual, and I love capturing these moments. In this video, you can see something special, the background and foreground clouds moving in opposite directions, creating a mesmerizing effect.
New Stamp Study
This week, I started working again with stamps of different sizes. I am considering a small series using my custom logo/initial stamp, which I made a while ago but never used. As you can see in the bottom-left corner, it will take some tweaking to place the logo stamp correctly, but the permanent ink is…
The Opening of Art of Punk
The tool, the fool, and his artwork. I stamped this phrase 45,360 times on suspended notebooks to create the 6-meter (20 ft.) wide mosaic POW-3: A Brief Crypto Punks History in 45,360 Marks. This piece weaves together four key concepts, which you can explore here: POW-3: A Brief CryptoPunks History in 45,360 Marks. Also included…
New from my Sketchbook
I’ve filled dozens of notebook pages with ink while working on my recent installation POW-3: A Brief CryptoPunks History in 45,360 Marks. Now, I’m excited to see how I can put them to good use.
Transit in Toronto (YYZ)
Today, I’m back from Texas, and Toronto is welcoming me with a rainy fall vibe. Now, I’m heading off to Montreal, hoping to catch some beautiful rain clouds along the way.
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About This Archive
A Public Studio Practice
In 2024, Martin Lukas Ostachowski moved his studio documentation from social media to his own website. Studio Notes is the result: a permanent, searchable archive of his creative process, owned and controlled entirely by the artist.
What began as a replacement for Instagram Stories and Twitter Posts has grown into a working journal of an artistic practice, updated several times per month, often per week, organized by year, and structured around 12 topical categories.
Each entry captures a moment in the studio: generative algorithm experiments, pen plotter calibrations, photography from flights and travels, AI-assisted composition tests, 3D rendering studies, stamping techniques on cotton paper, and the events, press coverage, and exhibitions that punctuate the working year.
These notes complement the finished pieces in the Catalogue and the exhibition coverage in News, offering an intimate view into the research and experimentation that connects Ostachowski’s art practice with his academic work as a PhD researcher in crypto art history at the University of Zurich.