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Collect original on-chain editions, unique digital works, paintings and physical sculptures, available to collect directly and through select galleries collaborations.
Bitcoin · Ordinals
Do Not Accumulate
Currently on view at the NFC 2026 showcase in Lisbon, 4–6 June 2026.
Do Not Accumulate turns its attention to the most intimate system we share, money, and to its programmable future in Central Bank Digital Currencies. Rendered from inside the banknote itself, each bill becomes a propaganda machine of system warnings, adjustment notices, and demurrage countdowns that sell the very controls they impose. The series is inscribed on Bitcoin Ordinals, an open, censorship-resistant ledger, in a recursive structure that mirrors the hierarchy it critiques. The medium is the argument.
Read more: Related Blog Post
Self-contained single HTML file with
recursive embedded CSS, JavaScript, and SVG
Bitcoin · Ordinals
Digital USD
21 editions · recursive Bitcoin ordinal
USD 500
Ed. 2-6 Sales via Bitcoin Museum & Art Gallery
Self-contained single HTML file with
recursive embedded CSS, JavaScript, and SVG
Bitcoin · Ordinals
Digital EUR
21 editions · recursive Bitcoin ordinal
USD 500
Ethereum · ERC-721
Known, Uncertain, Unknown: My Past, Present and Future
Currently on view at the Inner Voice exhibition at Danae Gallery in Paris, May 28 to July 31, 2026.
Part of the ongoing Network of Hope series, Known, Uncertain, Unknown uses the cloud as symbol, subject, and medium to reflect on the artist’s own path through crypto art. The triptych, Known, Uncertain, Unknown: My Past, Present, and Future, draws on transtemporal theory, where past, present, and future are not separate but continually shape one another. Each work pairs a 1/1 digital animation with a 1/1 3D-printed SLA resin cloud sculpture as a complete set. The animated triptych was first shown at Art Dubai 2024.
Read more: Known, Uncertain, Unknown: My Past, Present and Future
Known, Uncertain, Unknown: My PAST, Present and Future animation
3,840 x 2,160 px, 3:00, MP4
Top:
Cloud of the Past Sculpture
240 x 151 x 106 mm
Ethereum · ERC-721 · Sculpture
Known Past Set
1/1 Animation · 1/1 Resin Sculpture
EUR 5,000
Sales via Danae Gallery, Paris, France
Known, Uncertain, Unknown: My Past, PRESENT and Future animation
3,840 x 2,160 px, 3:00, MP4
Top:
Cloud of the Present Sculpture
240 x 151 x 106 mm
Ethereum · ERC-721 · Sculpture
Uncertain Present Set
1/1 Animation · 1/1 Resin Sculpture
EUR 5,000
Sales via Danae Gallery, Paris, France
Known, Uncertain, Unknown: My Past, Present and FUTURE animation
3,840 x 2,160 px, 3:00, MP4
Top:
Cloud of the Future Sculpture
240 x 151 x 106 mm
Ethereum · ERC-721 · Sculpture
Unknown Future Set
1/1 Animation · 1/1 Resin Sculpture
EUR 5,000
Sales via Danae Gallery, Paris, France
For Collectors
Why Collect Directly
Acquiring directly from the artist ensures provenance, authenticity, and a direct relationship with the creative practice behind each work. Every piece comes with full documentation: smart contract verification for NFTs, certificates of authenticity for physical works, and detailed provenance records.
For digital works, purchasing on the original marketplace preserves the full provenance chain and ensures creator royalties are honored. For physical works, ordering through the gallery or studio guarantees proper handling and direct communication about framing, shipping, and installation.
What Collectors Receive
Certificate of Authenticity
Signed and numbered for physical works
Provenance Documentation
Full ownership and transaction history
Smart Contract Verification
On-chain proof of authenticity for NFTs
Direct Artist Support
Installation guidance and ongoing relationship
Institutions
For Museums, Galleries & Collections
Martin Lukas Ostachowski’s work has been exhibited at institutions including Kunsthalle Zürich and the Museum Francisco Carolinum in Linz, Austria. Artworks are held in the permanent collections of the Museum Francisco Carolinum, the Museum of Crypto Art in Kingston, NY, and the Edicurial Collection.
Institutional services include acquisition proposals, exhibition loans, site-specific commissions, and educational installations. For curatorial inquiries, please include exhibition context, timeline, and any relevant institutional details.
Contact for institutional inquiriesRelated Research
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