Martin Lukas Ostachowski in his Art Studio

Multidisciplinary Blockchain Artist & Crypto Art Historian

Martin Lukas Ostachowski (MLO)

German-Canadian multidisciplinary artist, researcher, and writer based in Tiohtià:ke / Montreal, QC. He explores clouds as a symbol, subject, and medium to educate about the transformative potential of blockchain technology through both physical and digital art.

His art has been exhibited internationally across North America, Europe, and Asia. As a PhD researcher at the University of Zurich, he is one of the leading historians documenting the evolution of crypto art.

PhD Researcher, Art History — University of Zurich

Artist Statement

Network of Hope

Geometric abstraction, minimalism, and technology are central to my work. In my paper paintings, I use both traditional and modern arts-and-crafts methods, such as weaving, hand-cutting, and laser-cutting, along with digital fabrication in various ways.

Clouds are both my main subject and my medium. Their constant change, visual appeal, and rich symbolism across cultures have kept me interested in them. I see blockchain as a technology that changes how we think about, work with and store data. By using clouds in my work, I explore blockchain’s structure and see clouds as a modern symbol for data storage, connection, transformation, and the hope for a fairer sharing of opportunities and wealth.

Martin Lukas Ostachowski during the RurArt Art Residency in 2020
Martin Lukas Ostachowski, RurArt Art Residency, 2020.
Installation view Cumulonimbus Murus at Kunsthalle Zürich in 2023
Cumulonimbus Murus, Kunsthalle Zürich, 2023

In my work, clouds and technology are closely linked. Sometimes they are the subject, sometimes the medium, and the digital clouds of computing come together with the painted, sculpted, and coded clouds I make in the studio. Using both, I think about how new systems of exchange, trust, and value affect our lives and what they ask of us in return.

My practice is grounded in research. As a PhD researcher in Art History at the University of Zurich focusing on the history of crypto art, I draw on scholarship to inform the studio practice, and the resulting series and individual works often carry an educational character, designed to make the mechanisms and stakes of blockchain accessible to audiences beyond the field.

Artist Biography

MLO Biography

Short Bio — for press use

Martin Lukas Ostachowski is a German-Canadian multidisciplinary artist, researcher, and writer based in Montreal. His body of work, Network of Hope, uses clouds as a symbol, subject, and medium to explore the transformative potential of blockchain technology. His art has been exhibited across North America, Europe, and Asia. He is a PhD researcher in Art History at the University of Zurich, specializing in the history of crypto art.

Installation view POW3 A Brief History of Crypto Punks in 45,360 marks at Museum Francisco Carolinum in 2024
Installation view POW3 A Brief History of Crypto Punks in 45,360 marks, Museum Francisco Carolinum, 2024.

Movement defines Martin Lukas Ostachowski’s life and art. Having lived in three countries and relocated over 35 times, he feels more at home in the sky than in any single place, a connection reinforced by over 900 passenger flights across the past decade and a recurring engagement with clouds and the sky as central subjects of his work.

After discovering Bitcoin and its underlying blockchain technology in 2017, MLO’s practice pivoted to explore blockchain architecture as a foundational shift in how we think about, work with, and store data, with particular attention to the implications for digital art distribution. Through the subject of clouds, he examines the blockchain as a contemporary symbol of data storage and connectivity.

For Ostachowski, clouds and blockchain share fundamental qualities. Both are intangible, move permissionlessly across borders, and exist as fragile constructs. Just as clouds depend on atmospheric conditions to hold their form, blockchain depends on a network of active nodes to hold its consensus.

Network of Hope, his ongoing body of work, uses cloud-inspired imagery to explore blockchain’s transformative potential. Across data visualizations, animations, and digital and physical media, he demystifies the technology and opens conversations about its role in shaping how value, ownership, and authorship will be defined.

Curriculum Vitae

Selected CV

Selected Exhibitions

2026Inner Voices — Danae Gallery, Paris, France
2025Signs and Other Technologies — ZeroOne, Art OnO Fair, Seoul, South Korea
2025Art on the Chain — Nikola Tesla Technical Museum, Zagreb, Croatia
2024Art of Punk — Museum Francisco Carolinum, Linz, Austria
2024{R(Evolutionaries);generations} — Morrow Collective, Art Dubai, UAE
2023DYOR: Do Your Own Research — Kunsthalle Zürich, Switzerland
2023Frogs over Fiat — On the Fringe Gallery, New York, NY, USA
2022Dear Block Chen — Solid Art, Taipei City, Taiwan

Speaking & Panels

2025Table Ronde: Collectioner des oeuvres blockchain et NFT — Le Livart Gallery, Montreal, QC, Canada
2025Iterating With, Through, and About Clouds as a Metaphor for Bitcoin — NFC Summit, Lisbon, Portugal
2024NFT Passages: From Web 2.0 to Web 3.0 — Ottawa Art Gallery, Ottawa, ON, Canada
2023The Essence of Crypto Art, Crypto Art Seoul — L’Espace Etnah Godeok, Seoul, South Korea
2022Evolution of Crypto Art — Kunsthaus Zurich, Switzerland
2022NFTs Are Not Art (Anymore) — The Montalbán Theatre, Hollywood, CA, USA

Publications

2025Understanding The History of Blockchain Art as Incremental Innovation — Espace Art Actuel Journal
2023History of Crypto Art — Crypto Art. Begins, Rizolli New York
2023A Brief History of Rare Pepe. How a viral meme went from outcast to art museum — Right Click Save
2021Crypto Art: A Decentralized View — Leonardo Journal (MIT Press)

Awards & Grants

2025Technological Support Grant, SIT Scènes Interactives Technologiques & Eastern Bloc Art Centre, Montreal, QC
2021It’s A New World, 2nd place, Ephimera Art Gallery, Toronto, ON
2020International Art Rights Prize, 2nd place digital art category, AB Factory Cultural Association, Cagliari, Italy

Education

2026–PhD Researcher, Art History — University of Zurich, Switzerland
2013MA Int’l Business Development — European Business School ESB Reutlingen University, Germany
2008BA Media Management — Baden-Wuerttemberg Cooperative State University Heidenheim, Germany

Institutional and Private Collections

Museum Francisco Carolinum, Linz, Austria
Museum of Crypto Art (MoCA), Kingston, NY, USA
Bitcoin Museum & Art Gallery, Nashville, TN, USA
Educurial Collection, USA

Press & Media

Press Kit

Download the press kit for high-resolution images, artist biography, artist statement, and selected artwork images with captions.

Short Bio
TXT
Full Bio
TXT
Headshot
JPEG, 300dpi
Artwork Images
4 images + captions