3D

am back at the drawing board, developing cloud shapes for a set of new sculptures. At the moment, I am experimenting with how a cumulonimbus cloud system could be represented through sphere-based shapes. The towering elements are proving quite challenging. A fun fact from along the way: a single cumulonimbus can hold over a million…

I am working on a new sculpture, one that will bring together several elements, including power plugs. So I spent a couple of hours sculpting a power plug from scratch. Below is a behind-the-scenes peek: three screenshots from the process, each a stage further along. There is something quietly fitting in the exercise. A power…

These three new sculptures have joined Inner Voice at Danae Gallery in Paris: Cloud of the Past, Cloud of the Present, and Cloud of the Future were created by re-engaging with my triptych Known, Uncertain, Unknown: My Past, Present, and Future. Each sculpture is printed via SLA in hardened, UV-protected clear resin, measuring 240 x…

I just finished another collage built from by-products of the past few years. It feels like 2026 will shift my focus further toward generative work involving electronics and 3D. Some of these projects are already taking shape. Je viens de terminer un autre collage, construit à partir de sous-produits des dernières années. J’ai l’impression que…

Every project leaves behind a trail of files: experiments, tests, and by-products. I try to archive them carefully, but I also enjoy mixing them back together when the moment feels right. This collage combines pixelated algorithmic backgrounds, 3D-sculpted forms, and plotter paths into a single composition. Revisiting and repurposing these materials has become part of…

Here’s a small detail from a piece I’m currently finishing for the Digital Art Fair in Miami, happening in two weeks. This work will also be featured alongside a paper I wrote for a Canadian art journal. I’ll share more details soon, stay tuned!

My ongoing journey to create simple, recognizable low-poly cloud models evolves. This time, I added colour stripes to emphasize their three-dimensional surfaces. Though these shapes could also resemble rocks, their low-poly structure opens the door for future video projections. While more detailed, fluffy clouds might be easier to identify, they limit how I can use…

I am currently modelling clouds in various shapes for an upcoming book project. While it’s relatively easy to achieve an appealing cloud form from one angle, ensuring the cloud appears natural from all perspectives, especially from the top and bottom, presents a significant challenge. The cloud model shown above has been rotated by 90 degrees…