Baker Cahill, Nancy: How to Do Your Own Research. Right Click Save, January 9th, 2023: https://www.rightclicksave.com/article/how-to-do-your-own-research
Excerpt
Nina Roehrs shares what it takes to curate crypto art history with Nancy Baker-Cahill
Nancy Baker Cahill: “DYOR” is an historic exhibition for so many reasons and I’m curious what prompted you to embark on such an ambitious, rigorous, and (pun-intended) well-researched curatorial endeavor? What about NFTs and blockchain appealed to you as a curator and to Kunsthalle Zürich as an institution?
Nina Roehrs: Little more than two years ago, a new art world appeared, and for many it came out of nowhere. This new world ignored museums, galleries, curators, and critics — in short, the entire establishment — but it arrived dripping with money and generating a lot of interest. This new art world was based on a new technology (blockchain), had its own distribution system (Web3), unregulated aesthetic concepts (evident through NFTs), digital currencies (cryptocurrencies), new spaces for discussion, critique, and promotion (Discord channels and Twitter) and new forms of participation.
Nevertheless, in the last few months, people have been coming round to this movement. It is an extremely vital, young, dynamic, contradictory, fascinating, problematic, creative, critical, and critiqued field that many people want to know more about. The hunger to learn is there, but many haven’t had access to the right information. For this reason, Kunsthalle Zürich developed one of the first ever institutional exhibitions on this emerging field.
To quote the historian Martin Lukas Ostachowski, who contributed his own installation, Cumulonimbus Murus, to the exhibition: Crypto art “is a movement of values over aesthetics. As such, it is essential to remember and promote the concept of the self-sovereign crypto artist. […] Blockchain technology created tools for artists to challenge their role in the traditional art world, [where] the entire art market is built on their backs.” …
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